Painting methods and visual processing: initial considerations
Keywords:
Art, Painting, Neurobiology of vision
Abstract
In recent studies comprising arts and neurosciences focus has been given to artistic objects in their final shape and appearance, generally paintings, and how viewers react to them. In this paper we suggest the artistic methods, with special emphasis in painting methods, as another approach to art in intersectional studies involving both areas of knowledge.
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References
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BUNDGAARD, P. F. Feeling, meaning, and intentionality – a critique of the neuroaesthetics of beauty. Phenom Cogn Sci, v.14, p. 781-801, dez. 2015.
https://doi.org/10.1007/s11097-014-9351-5. Acesso em: 02 set.2019.
CALLEN, A. The Art of Impressionist Painting: technique and the making of modernity. New Heaven: Yale University Press, 2000.
CHANGEUX, J.P.; GOLDHAMMER, A. Creativity and Neuroscience. Grand Street, n. 58, p. 83, 1996. Disponível em: https://jstor.org/stable/25008087. Acesso em: 20 abr. 2018.
CONWAY, B. R., ESKEW, R.T., MARTIN, P. R., STOCKMAN, A. A tour of color vision research. Vision Research, v. 151, p. 2-6, out. 2018. Disponível em: https://doi.org/10.1016/j.visres.2018.06.009. Acesso em: 12 maio 2019.
CONWAY, B. R. Color consilience: color through the lens of art practice, history, philosophy, and neuroscience. Annals of the New York Academy of Sciences, v. 1251, mar. 2012. Disponível em: https://doi.org/10.1111/j.1749-6632.2012.06470.x. Acesso em: 07 jun. 2018.
CONWAY, B.R.; REHDING, A. Neuroaesthetics and the trouble with Beauty, PLOS Biology, v. 11, n. 3, mar. 2013. Disponível em: https://doi.org/10.1016/j.conb.2007.07.010. Acesso em: 02 jan. 2019.
DUNSTAN, B. Painting methods of the impressionists. Nova York: Watson Guptill Publications, 1976.
FIELD, J. V. The Invention of Infinity: mathematics and art in the renaissance. Oxford; Nova York: Oxford University Press, 1997.
FRASCINA, F.; BLAKE, N.; FER, B.; GARB, T.; HARRISON,C. Modernity and Modernism: french painting in the nineteenth century. New Heaven: Yale University Press, 1993.
FRÓES, M. An artsci science. Technoetic Arts, v. 13, n. 1-2, jun 2015. Disponível em: http://doi.org/10.1386/tear.13.1-2.203_1. Acesso em: 18 abr. 2019.
GOLDSTEIN, E.B. Blackwell handbook of sensation and perception. Malden: Blackwell Publishing, 2001.
GREGORY, R. L.; GOMBRICH, E. H. (eds.) Illusion in nature and art. Londres: Gerald Duckworth & Company Limited, 1973.
HOFFMANN, V. Giotto and Renaissance Perspective. Nexus Netw J 12, 5–32 (2010). https://doi.org/10.1007/s00004-010-0015-7
KANDEL, E. (ed.) Principles of neural science. 5 ed. Nova York: Mc Graw Hill, 2012.
MATURANA, H. (2002) Autopoiesis, structural coupling and cognition: A history of these and other notions in the biology of cognition. Cybernetics & Human Knowing 9(3–4): 5–34.
MELCHER, D.; CAVANAGH, P. Pictorial cues in art and visual perception. In: BACCI, F.; MELCHER, D. Art and the Senses. Oxford: Oxford University Press, 2010.
MCMAHON, J. A. Perceptual constraints and perceptual schemata: the possibility of perceptual styles. The Journal of Aesthetics and Art Criticism, v.61, n. 3, 2003. Disponível em: https://www.jstor.org/stable/1559177. Acesso em: 29 set. 2019.
OSBORNE, R. A painter’s thoughts on color and form. Color Res. Appl., v. 12, n. 6, dez. 1987. Disponível em: https:// doi.org/10.1002/col.5080120608. Acesso em: 05 set. 2019.
PINNA, B. The organization of shape and color in vision and art. Frontiers in Neuroscience, v. 5, n. 104, out. 2011. Disponível em: https://dx.doi.org/103389%2Ffnhum.2011.00104. Acesso em: 16 abr. 2019.
SCHAPIRO, M. Modern art: 19th and 20th centuries. Nova York: George Braziller, 1979.
VIVIANI, P.; AYMOZ, C. Color, form, and movement are not perceived simultaneously. Vision Research, v. 41, n.22, out. 2001. Disponível em: https://doi.org/10.1016/S0042-6989(01)00160-2. Acesso em: 04 jun. 2019.
WILLATS, J. Art and representation. Princeton: Princeton University Press, 1997.
Published
2022-02-15
How to Cite
Nogueira, F., & Monteiro Fróes, M. (2022). Painting methods and visual processing: initial considerations. Scientiarum Historia Magazine, 1, e341. https://doi.org/10.51919/revista_sh.v1i0.341
Section
Epistemologia, Lógicas e Teorias da Mente
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